Ghost in the Shell (1995)
Sunday, November 9th 2025: Ghost in the Shell (1995)
Yesterday I watched Ghost in the Shell (1995) on the big screen as part
of a Japanese Film Festival being held in Jakarta. Tickets were half
price and I got some goodies to bring home with me!
Anyhoo, This is less of a review and more of a think-out-loud of the
film.
I have a soft spot for animated movies, since I believe they could push
more boundaries and be more precise and intentional with its framing,
movement, and color. Besides that, when you watch Ghost, it's hard not
to be struck with the atmospheric backdrops paired with an impactful
score.
After only one watch-through (which I tried to go in blind) I find
myself thinking a lot about the themes of the movie. Some of the scenes
feel like a blur. The action happens fast. Thankfully, there are short
sequences of no dialogue and just backdrops set to music; this gives the
audience time to fully process what just happened and think about the
movie, while being treated to beautiful scenery.
I found the pacing to be perfect. Just enough action, enough
interpersonal scenes and dialog, backdrops, establishing scenes, and
ambiance to make this movie more than enjoyable. Not once did I lose
interest in the characters or setting, they give just enough information
but not too much that it feels dumbed down.
Speaking of not being dumbed down, I do have trouble putting my finger
on the themes of this movie. I do get the anxiety and philosophical
debates surrounding cybernetics, but there's something more being said
about the "self."
I believe this movie is a delicate balancing act; trying to deliver its
cyber themes for those already interested in the genre while still
giving adequate foundations for the layman to catch onto. This gives off
a clumsy effect when a lot of exposition happens through dialog. But it
happens so rarely I will forgive it, personally.
Next is the discussion of "self." Is there a True Self? When you
"merge" with someone (assuming through a union of marriage), you lose
yourself but you create something new. The lines between you and the
other party are blurred.
I can't help but think of Dan Olson's video essaus on Annihillation,
where he unravels its themes as the impermanence of the "self."
Constantly changing, evolving, merging, dividing. I do see a glimmer of
this being brought up in Ghost. Though, this blurring of lines is seen
through a cyborg's futuristic lens, where "merging" becomes quite
literal on the software level.
There's also the issue of false memories. I think it's very apt in
this day and age to watch Ghost, since a lot could be said about GenAI
halluciations and the levels of psychosis people are being put through
via AI chatbots. There's too many metaphors to catch onto just from a
first viewing. Truthfully I wish I could watch it in theaters again.
Motoko's affinity for the sea mirrors her "birth" scene, emerging
from waters transformed.
Oh, how I love how layered the movie is. I wish I could dissect it in
even more detail. But for now I could just gush about the beautiful
graphics and the layers of metaphors and messages it tries to contain in
its relatively short runtime of 90 minutes.
Lastly, I got a free pen and a small sticker sheet for participating in
the film festival. It's a frixion pen from pilot, who's a sponsor of
the fair alongside some other brands. Cheap tickets, free stuff, and the
ads were Japanese tourism ads and free Japanese learning platform ads.
I'd say yesterday was a success.
Ah, before I forget, 5/5 stars. Would watch again, highly recommend.
:::
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